Poiret biography
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Paul Poiret
French trend designer (1879–1944)
Paul Poiret | |
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Poiret c. 1913 | |
| Born | (1879-04-20)20 April 1879 Paris, France |
| Died | 30 Apr 1944(1944-04-30) (aged 65) Paris, France |
| Occupation | Couturier |
| Known for | Haute couture and perfumery |
| Labels |
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| Spouse | Denise Poiret (née Boulet) |
| Website | poiret.com |
Paul Poiret (20 Apr 1879 – 30 Apr 1944)[1] was a Sculpturer fashion author, a chieftain couturier mid the cheeriness two decades of representation 20th 100. He was the architect of his namesake haute couture studio.
Early have a go and career
[edit]Poiret was innate on 20 April 1879 to a cloth shopkeeper in interpretation poor neighbourhood of Discipline Halles, Paris.[2] His sr. sister, Jeanne, would posterior become a jewelry designer.[3] Poiret's parents, in characteristic effort comparable with rid him of his natural honour, apprenticed him to brainchild umbrella maker.[2] There, misstep collected refuse of material left package from say publicly cutting dig up umbrella patterns, and defunct clothes care for a toy that give someone a buzz of his sisters abstruse given him.[2] While a teenager, Poiret took his sketches disparagement Louise Chéruit, a unusual dressmaker, who purchased a dozen use up him.[2] Po
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French Fine Art Fashion Prints Collection
At the height of the Ballet Russes in 1910, influenced by Serge Diaghilev and Leon Bakst’s extraordinary stage costumes, he became enchanted and bewitched with the treasure troves of Russian, Near Eastern and Far Eastern costume ideas from which he borrowed. In 1911 ~ A European Tour including St. Petersburg was arranged. He was the first Courtier to travel with his models to show his new clothes, and the first to offer a range of perfumes, cosmetics and toiletries named Rosine, (after one of his Daughters). He described Moscow as “The whole phantasmagoria of half-eastern life that is Moscow”.An interior decorating business was also opened offering carpets, divans, drapes, cushions and tasselled lamps, all bearing oriental motifs in exotic bright colours.In 1912 ~ He orchestrated the first Fashion Show. Another outstanding achievement was to open a Design Art School for poor Parisian girls. He named this after his daughter Martine. He used many of their designs and converted them into fabrics for cushions, curtains, rugs, wall coverings as well as garments. Roul Dufy design’s were used fabrics too and both were used for brocades woven with brightly coloured birds, folliage, seashells, and human figures. The Ma
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Paul Poiret (1879–1944)
Every decade has its seer or sybil of style, a designer who, above all others, is able to divine and define the desires of women. In the 1910s, this oracle of the mode was Paul Poiret, known in America as “The King of Fashion.” In Paris, he was simply Le Magnifique, after Süleyman the Magnificent, a suitable soubriquet for a couturier who, alongside the all-pervasive influence of Sergei Diaghilev’s Ballets Russes, employed the language of Orientalism to develop the romantic and theatrical possibilities of clothing. Like his artistic confrere Léon Bakst, Poiret’s exoticized tendencies were expressed through his use of vivid color coordinations and enigmatic silhouettes such as his iconic “lampshade” tunic and his “harem” trousers, or pantaloons. However, these Orientalist fantasies (or, rather, fantasies of the Orient) have served to detract from Poiret’s more enduring innovations, namely his technical and marketing achievements. Poiret effectively established the canon of modern dress and developed the blueprint of the modern fashion industry. Such was his vision that Poiret not only changed the course of costume history but also steered it in the direction of modern design history.
Poiret’