Jeongmee yoon biography of rory
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Maker Stein, Amy American, b. 1970
Date2007
MediumInkjet print
Dimensionsimage: 11 in x 13 3/4 in; paper: 13 predicament x 19 in
Credit LineGift of Lavatory MacMahon beginning Richard Anderman
Object number2014:284.29
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Success Stories
Blue Sky Gallery and I have been in conversation about exhibiting my series Personality Crash in June, 2023. I am beyond thrilled for this opportunity and it stemmed directly from being a 2020 Critical Mass Top 50 Finalist. Thank you for the connection and for everything you do for our photo community!
—Safi Alia Shabaik
It’s very exciting to have Klompching Editions release a special edition print of forseeable cache no. 23, pink. Debra and Darren from Klompching Gallery were introduced to my work when I was a CM20 Finalist and have kept the project in mind since then. Being a CM20 and CM21 Finalist has led to many opportunities and the great feeling of having my work recognized by industry professionals whom I respect. I’m now prepping for my first solo exhibition with the 2021 awarded project! Big thanks to the wonderful team at Photolucida for all you do to support fine art photographers.
—Debe Arlook
I am reaching out to mention that I was invited to have a show at Blue Sky this November because they saw my work in Critical Mass (2020 top 50). Very exciting!
—Jordanna Kalman
I was excited to have a proposal accepted at the Athens Photo Festival (June 8 – July 24, 2022) and curated an exhibition titled
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Our color-coded world: Photographer documents gender stereotypes throughout children's lives as studies show how easily kids' perception of these labels can be manipulated
Photographer JeonMee Yoon is using books, toys, clothing and more to capture the pervasiveness of kids' color-coded gender roles.
In an illustrative photo series, Yoon, a South Korea-based photographer, conveys the ubiquity of a simple and often unspoken rule: blue for boys and pink for girls.
As reported by Wired, Yoon's work, titled Pink and Blue Project, which began in 2005, initially inspired by her own daughter, is intended not just as a showcase of pervasive gender roles through kids' color-coded belongings, but as a dissection of the effectiveness of the marketing, or 'objectification,' behind the phenomenon.
'I ask each model to sustain a blank, neutral expression to underline an 'objectification' of each child, and I request various poses to heighten the differences in gender and personal characteristics among my subjects,' Yoon told Wired.
Yoon's work aims to highlight the forces behind the color-coding by gender and its ubiquity in kids' toys. The project began in 2005 and revisited the kids over the years. Pictured: Agnes in 2009 and 2015
Children selected in Yoon's work -- a