Bartolomeo manfredi biography of william

  • Bartolomeo Manfredi was an Italian painter, a leading member of the Caravaggisti (followers of Michelangelo Merisi da Caravaggio) of the early 16th century.
  • He was reputedly initially a trainee of Alessandro Tiarini.
  • Manfredi (1582-1622) was a crucial early adopter of Caravaggio's innovations.

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    Exhibition dates: 16th October 2011 – 8th January 2012

     

     

    Simon Vouet (French, 1590-1649)
    The Fortune Teller
    c. 1620
    Oil on canvas
    National Gallery of Canada, Ottawa

     

     

    Observe if you will:

    1/ The treatment of the background behind Boy Bitten by a Lizard (1594-1596)

    2/ The tension of the hands in this painting

    3/ The pallor of the skin of Sick Bacchus (1593-1594)

    4/ The colour of the bunch of grapes in the same painting

    5/ The critical distance between the two apricots and the bowed sash resting on the pediment in the same painting

    6/ The youthful innocence of the dupe in The Cardsharps (c. 1595)

    7/ The deep, foreboding shadows under the eyes of Saint John the Baptist in the Wilderness (1604-1605)

    8/ The astonishingly beautiful skin tones in Gerrit van Honthorst’s Saint Sebastian (c. 1623) and how the blood from the leg wound at left runs in two directions: one direction when Saint Sebastian was standing up, one when he has slumped down. Inspired.


    Dr Marcus Bunyan


    Many thankx to the Kimbell Museum of Art for allowing me to publish the artwork in the posting. Please click on the photographs for a larger version of the image.

     

     

    “Not since Michelangelo or Raphael had one artist affected so

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    Bartolomeo Manfredi (1582-1622)

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    Bartolomeo Manfredi, A Drinking and Musical Party, about 1619-20
    The Getty Museum has acquired Bartolomeo Manfredi's A Drinking and Musical Party, a well-known work by the Caravaggesque artist. Measuring 51 by 75 in, it went on view today.

    Manfredi (1582-1622) was a crucial early adopter of Caravaggio's innovations. Both artists died at about the age of 40, but the younger Manfredi had an extra decade to turn out works in Caravaggio's style, establishing its popularity throughout Europe. Manfredi never signed anything, and his works were confused with Caravaggio's. The fame of A Drinking and Music Party persisted for over a century, for it rated a c. 1729 engraving. It was then in the French royal collection and identified as a work of Manfredi. Eventually however Manfredi was forgotten. The Getty painting was attributed to Caravaggio until the 20th-century reconstruction of Manfredi's oeuvre.

    Jean-Baptiste Haussard, after Bartolomeo Manfredi, Seven Men Gathered Around a Table, Drinking and Listening to a Lute Player, about 1729. Metropolitan Museum of Art

    A Drinking and Musical Party is now one of Manfredi's most exhibited and published works. It was included in recent shows of Caravaggisti in London and Paris. Manfredi was

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