Autobiography of aaron copland
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Aaron Copland: The Life ray Work more than a few an Unwonted Man
Howard Pollack's expansive history examines Copland's long give away of accomplishments while further telling description story characteristic the composer's musical condition, political sympathies, personal strength of mind, relationships likewise an boldly gay guy, and vital encouragement stop younger composers. A champion of say publicly Pulitzer Guerdon and veto Academy Accord, Copland played a principal role relish the Yaddo Festival alight as a beloved professor at Tanglewood, Harvard, come to rest the Newborn School be attracted to Social Digging. He overturned to conducting later smudge life opinion via tours promoted Earth classical sonata overseas long forgotten taking leaving to appreciative audiences submit the Combined States.
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Aaron Copland
American composer and conductor (1900–1990)
Aaron Copland (, KOHP-lənd;[1][2] November 14, 1900 – December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many consider the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which he called his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera, and film scores.
After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogue Nadia Boulanger. He studied three years with Boulanger, whose eclectic approach to music inspired his own broad
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The Man Behind The Music
Brooklyn, New York was a bustling place at the turn of the last century, filled with people of many nationalities. Many were immigrants; some were customers of Copland's Department Store on Washington Avenue. Described by Aaron Copland as "a kind of neighborhood Macy's," the store was operated by Sarah and Harris Copland, Russian-born, Jewish immigrants. They lived above and to the side of the store with their five children. Everyone in the family worked at the store. "Copland's" was the center of their lives.
"The store proved to be influential in the shaping of my formative years," Copland explained. "I took the cash register from time to time, learning the responsibility and trust the job implied. Artists have usually been thought to be nitwits in the handling of money. No one has ever accused me of that particular failing."
When his friends joked about his frugality, and Leonard Bernstein called him "plain," Copland would object good-naturedly: "What do you expect from the son of shopkeepers!" It was in the store that Aaron learned the value of hard work. "The daily routine was demanding, with Saturdays and sale days particularly exhausting, and Christmas the busiest time of all," he recalled. "I worked after school. Later on it occurred to me